A Second Look at Victorious

Wow, so. Okay. I'm already on record as not liking Victorious, but in the last year, I've actually kind of come around on the cast members. Victoria Justice, while she has zero stage presence, actually has a powerful instrument in her voice. Ariana Grande is actually amazing and probably Jess's new favorite. I think it's pretty great that Avan Jogia made a PSA for Straight But Not Narrow. I've heard rumors the rest of the cast is also pretty talented. So when the new episode of Big Time Rush ended and Victorious came on, I figured hey, why not give the show another shot?

Big mistake.

Man, this show is not only not good, it's still actively, really offensive.

The episode was about the kids making a movie and some jackass young director taking credit for it; meanwhile, Puppet Kid (who's name apparently is Robby or Robbie; I can't be assed to look up which spelling, because of all the loathing I have) and Douchey Hot Guy (Beck) fix Robby's car. And that was the way more troubling plotline.

First, let's start with some casual transphobia: Robby refers to his car as "it," and Beck corrects him: vehicles get "she" and other female pronouns. "Not just cars. Cars, boats… my 'uncle Barbara,'" with sarcasm and finger quotes. Ha hah ha, silly transgender people, trying to forge identities that feel correct to them! Ha ha ha, let's use them as punchlines, because it's not like it's a group that faces incredible amounts of stigma and discrimination, including but not limited to frequent assault and murder! Hi-fucking-larious.

So the plotline then goes on: girls gather to watch Beck get greasy, working on the car; Robby wants to impress them and embarrasses himself. This, of course, leads to one of the girls turning a hose on him -- with spray so powerful he is knocked off his feet. Now on the one hand, at least the show doesn't sympathize with him for objectifying girls; on the other hand, he is physically assaulted and it is played for laughs. When Beck finally looks up and sees this, he encourages the girl with the hose to do it some more. So I guess he's a good enough friend to fix Robby's car for him, but not a good enough friend to, uh, not want Robby to be badly injured.

That's a major problem that underlies this show and every single character in it: they have zero empathy for one another, or indeed, other human beings in general. But more on that in a second. First, to wrap up this storyline, Beck finishes fixing the car and Robby laments that the girls were only there to watch him, and now he's bummed. Beck points out that… girls love guys with cars. Robby adds, "Right, because I can drive them places. Like… shopping!" LOLOLOL girls all love shopping, you guys! I've never heard that as a punchline before, ever. Hilarious cutting edge comedy! Or wait, no, the opposite of that.

Anyhoo, Beck goes off to "find [Robby] some cheerleaders who need rides," which is pretty gross and objectifying, but while he's gone, some thugs or someone come and steal Robby's car. While Robby sits and pouts, the cheerleaders roll their eyes and walk away. The end.

So in summary: 1) transgender people make for good comedy, 'cause the entire concept of someone choosing a gender identity not based on the one assigned at birth is funny; 2) girls love shopping and are shallow; 3) physical assault is funny.

The main plotline was mostly better, and even managed to contain some funny lines. Tori's exchange with her sister was mean but funny (if only because Trina -- is that her name? Wait, I still don't care -- doesn't seem too upset by it), and the exchange between Andre and Tori, "What's the plan?" "You're smart, [Jade's] mean, you figure one out," actually made me laugh.

So… the director was a jerk and took all the credit, and they came up with a wacky revenge scheme, involving calling him out on a live talkshow. And I guess for some reason, they can't do it themselves…? So okay, Andre hires his cousin to do it. And that's where it becomes problematic, because Andre's cousin is 100% Sassy Black Woman Stereotype. She sasses at the kids, then the talkshow gets started. And, shockingly, the jackass director actually gives them credit! The kids are stunned… then turn to the cousin, trying to signal to her not to go through with the plan, but she shoots them a thumbs up and starts yelling at the director, and then -- you guessed it! -- physically assaults him.

The kids muse that they feel kind of bad, because the director actually did the right thing in the end, and maybe they should help him. Instead, they go get waffles, while the Sassy Black Woman, you know, continues to beat him. Because hey! Physical assault! It's funny!

Basically, my issues are 1) racism, because hey, did you know black people are really really agressive??? Oh wait, that's a racist stereotype; and 2) assault isn't funny. I can feel exactly what comedic beat the show was going for there: it is funny to have a normal person observe something absurd, consider it for a moment, and then move right along as if weren't absurd at all. But the reason that doesn't work here is because it's not funny to walk away from an assault that you caused as if nothing problematic is going on. The kids weren't being hilarious here, they were being assholes. Just like Beck to Robby earlier.

Why are these characters so unable to see that causing serious injury is, you know, bad? That laughing at someone's misfortune is cruel? They aren't a group of friends (or frenemies, in Jade's case); they're a group of sociopaths. Why is it meant to be funny when you get someone horrifically hurt, as was the director; or when you set your friend up for injury and humiliation, as Beck and Robby? Look: a fun show about a wacky group of friends should, ideally, make viewers wish they were part of that group of friends. This show? Makes me wonder how long it'll be until most of the characters are in jail. I wouldn't want to be friends with a single one of them.

So our finally tally…

Sexism? [✔]
Transphobia? [✔]
Randomly vicious, borderline-sociopathic protagonists? [✔]
Racist stereotype? [✔]

So I guess it wasn't just a few unfortunate choices in the pilot. This show is full of fail, and, having given it a second look, I do not think I will ever, ever give it a third. I really want to like some of the members of the cast, and I'm genuinely sad that they're all on this show.

Victorious! No, Wait, the Other Thing. Failure.

Since I've become a little obsessed with Big Time Rush in the last few days -- by which I mean there are nine episodes on the TiVo and I snarled at Rachel when she asked if she could delete them -- I've been watching a lot of Nickelodeon. And thus I've been inundated with promos for Victorious so I figured what the heck, and TiVoed the pilot and second episode.

And then deleted them immediately, swearing to never watch the show again. Seriously. It was THAT BAD, and also THAT INFURATING.

Let me get the worst out of the way first: the second episode contained flat-out sexual assault played for laughs. I started to describe it to Jess (smoke pouring out of my ears from rage) and she already knew; she pointed me towards this angry rant by her friend (and Tweenage commenter!) BeyondHeroism. It encapsulates my feelings on that subplot nicely. And that's the reason I won't be watching the show again, because that shit isn't funny.

Beyond that -- if you can get beyond that -- the show was just bad.

Basically, the set up goes like this: Tori (Victoria Justice, of course) is a normal, average, typical girl whose sister happens to go to a performing arts school in Hollywood and is preparing for a big showcase with Andre, a piano player and composer. But the night of the big show, Tori's sister has an allergic reaction and can't sing, so Tori has to go on instead! She wows the crowd and is immediately enrolled in the school, but isn't sure she's good enough! Everyone says she is, so she gives it a chance, but on the first day she accidentally spills coffee on Douchebag Whose Name I Can't Remember But I Think I'm Supposed to Like ("Douchey Guy" for short), and as she's trying to help him clean up, his girlfriend Jade walks up and goes all Mean Girl on Tori for touching her boyfriend. She and Tori catfight for the rest of the episode until Tori out-sasses her and wins, the end.

Except it sucked way harder than that can possibly convey.

First, to give credit where it's due, Victoria herself is actually a pretty good singer. She could stand to take it down a few notches, but her voice is strong enough and despite the fact that she's popstarring it up to 11, she manages to avoid the Demi Lovato School of Tuneful Shouting. As an actress, she's passable. She managed to hit some punchlines, seriously blew others, but wasn't offensively bad. She was blandly likeable, but, well, that was the show's fault. More on that in a bit.

So the problems with the pilot: first off, her sister. Her sister is the one at the arts school who wants to be a star, right? But she's bad at singing. That's not my judgment, it's a gag (Trina: "How was that?" Tori: "Loud.") so it's unclear to me why she would be at this school, and why apparently no one ever thought to ask Tori if she also likes singing or whatever when she's presented in the show as being so much better. So it doesn't make a lot of sense that no one had ever actually asked Tori if she liked singing before, but whatever; there's a rant in there about female protagonists who aren't striving for anything, but that's not entirely about this show. Which is bad enough that I don't need tangential rants.

Aside from that, the instant feud between Tori and Jade really irritated me, because literally their only interaction before hating each other had to do with Douchey Guy. Look, I'll be honest, I'm never going to love mean girl characters and bullying; just not my thing. But this one annoyed me specifically because it wasn't, like, "Jade is jealous of Tori's mad skills," or even, "Jade is pissed because Tori spilled coffee on her." Nope: their entire feud revolved around the guy, who, by way of occasionally speaking to Tori, seems to be turning it into a really stupid love triangle. Now, I'm not fond of those either, but this one actually gives me a double-whammy of Do Not Want:

1) Douchey Guy has no character and doesn't do anything; I think we're supposed to want him to get together with Tori because he's just sort of there and is the only viable candidate, which he is because

2) The only other guys on the show are the nerdy sidekick with the puppet -- who I loathe because "puppet sexually harasses people" is not funny, it is creepy and gross -- and Andre. Andre! Who is talented, and actually shown interacting with Tori, and encouraging her, and being friendly and nice! (You know, when not sexually assaulting people and being an asshole, as he does in the second episode…) These are the sorts of things you should found a relationship on! But I don't think it's going to happen, and maybe I'm overly cynical about this, but I'm betting he stays supportive friendly guy and not flirty boyfriend material, because -- sigh -- he's black, and interracial relationships are still pretty rare on TV generally, and teen/tween fare in particular, and more so on Nick than on Disney.

Like I said, maybe I'm just being cynical. Maybe the show will surprise me! This is an area where I'd be thrilled to be wrong. But at the moment, despite showing an actual friendship between Tori and Andre, and even though they haven't worked to make this guy likeable, to show any reason why he and Tori would like each other, or actually given him any sort of personality at all, the narrative is shaping up in a Tori-and-Douchey-Guy-UST way.

[Note: actually, looking at cast pictures to go with this post, Douchey Guy appears to be more ethnically ambiguous than I remember from watching the show. So that does alleviate the "why no interracial relationships, show?" fear a little bit, though not totally, since black/white relationships are much more rare than white/hispanic or white/ethnically ambiguous relationships in tween/teen fare. But once again, a discussion for another day.]


So even though Jade is a fine, generic mean girl, I'm annoyed by her; I want to like Andre but he was detestable in the second episode; I hate Puppet Guy; I have zero interest in Douchey Guy. Tori's sister basically vanished. That leaves the teacher (generically wacky) and another female character, Cat, who the show jokes is bipolar. Because someone says something mean so she bursts into tears, but then someone gives her candy and she squeals! Yup, that's bipolar all right. Mental illnesses totally work like that, and also, are hilarious.

Then you've just got Tori herself. (I said I'd get around to her eventually, right? How long is this rant now?) She's best described by looking at the second episode. There's a subplot about how all students at her new school paint their lockers to represent themselves. Like, the piano guy has a keyboard on his, Douchey Guy says he has no secrets so his is somehow translucent, etc. Tori is made intensely uncomfortable by this, and her initial solution is to put up a white board on her locker, so other people can draw whatever they want on this area that reflects her. She has so little character that she's actually defined by other people. Jess once described the main problem with iCarly like this:

I like iCarly a lot, but one of the major weaknesses of the show is the character of Carly -- or, more precisely, the lack thereof. She's smart, but not a nerd! She's cool, but not too cool! She's not particularly temperamental or particularly laidback or particularly interested in things or particularly anything. She's not zany like Spencer or aggressive like Sam or nerdy like Freddie. All she ever gets to do on the show is react. This is not a good or strong or entertaining centerpiece for a television show!

It remains true! The shows are both Dan Schneider fare, and they both center around basically blank slate characters. The differences are that Carly herself actually makes things happen -- the iCarly show-within-a-show exists because it was Carly's idea -- and the supporting cast are pretty much all endearing. Victorious, on the other hand, centers around a blank-slate character who so far hasn't really made anything happen -- she's dragged on stage and talked into going to the school -- with a supporting cast I overwhelmingly disliked.

I know it's early going. Even good shows tend to need a handful of episodes to find their stride. But Victorious alternated between run-of-the-mill dreadfulness and actively, seriously offending me, so I won't be hanging around to see if it improves. Sorry, Nick, but this one's a failure.

Unfortunately, Serious

Here at Tweenage, we like to keep things pretty light. Because tween stars are hilarious. Even -- perhaps especially -- their stupid scandals are hilarious. (Hey, remember when Miley took some "scandalous" pictures with a well-known photographer for a legitimate magazine while her father was in the room, but OMG SHE'S SUCH A WHORE?!)

But sometimes these things aren't funny.

Miley Cyrus, posing for a picture while pulling back your eyes, joking about being Asian, is NOT FUNNY. It is racist.

I usually really like Miley. I think she is by far the most talented singer of this generation of tweens. She's not a great actress -- she's a terrible dancer -- but the girl has pipes. And by that virtue alone, she stands head and shoulders above imitators. I've defended her on those grounds time and time again.

But I can not, and will not, defend something like this.

Be careful, Miley: Selena Gomez may only have a tenth of your talent, but she has yet to seriously piss me off. And her made-for-TV movie is waiting on my TiVo. And it's a lot easier to like someone who, at least to the best of my knowledge, doesn't confuse racism and comedy. I'm just sayin'.

Countdown to HSM3: Top 10 Worst Things About High School Musical

10. The roller coaster/wave in Summertime
Becky: I'm pretty sure if you looked in some kind of film making encyclopedia for "awkward shot" you'd find this sequence. (Uh, an online, interactive encyclopedia, I guess.) It's not good.
Jess: Kenny is great at getting kids to feel comfortable around him and dance their little hearts out. Experimental cinematography? Not so much.

9. Mr. Fulton
Becky: There are so many things wrong with Fulton -- like how he spritzes after talking about Sharpay (whaa?), how everyone acts like he's super mean and scary (um, he would like employees to clock in and out on time, HOW UNREASONABLE), how he's not a very good actor... But what's really wrong is his name.
Jess: Or, more specifically, how similar it is to "Bolton," Troy's last name. Kenny would have done well to make his poorly-enunciating little brood practice saying these names with mouths full of marbles a la My Fair Lady, but since he didn't, we spent the movie hearing characters mumble "...lton" and going "Huh?"

8. The possibility of future HSMs
Jess: No. Just no. Especially without the main cast.
Becky: And the main cast really, really should not come back, Zefron. So: no more movies. Okay? Okay.

7. Zef's dancing
Becky: An easy target, but... He's just SO BAD.
Jess: Again, a superior film (like, oh, say, Hairspray) would have figured out a way to cunningly hide him during dance numbers so you didn't realize that he barely danced at all. HSM features his move-screwing-up and Crazy Zef Dances. HSM, dare I say, is not a superior film.

6. Darbus
Jess: Darbus is a bad teacher and a bad director, but she's supposed to be. However, she's also played by a terrible actress who keeps saying "musicale," so there's absolutely nothing redeemable about her whatsoever.
Becky: The only thing that would have possibly redeemed her in any way was the conceptualized duet between her and Coach Dad, but a) it didn't happen, an b) ... well ... scroll down the list.

5. Coach Dad
Becky: Coach Dad sucks. He's possibly a WORSE actor, and he's terrifyingly badly written.
Jess: Watch him scream angrily at his team, demanding to know where Troy and Chad are! Watch him have a tender, discomfort-inducing moment with his shirtless, hairless, Bonne-Bell-Lip-Smackered son! Watch him grope his son's underage friends, inexplicably hang out with his team/students during summer vacation, and tell his son that it's totally cool and not morally ooky to psuedo-date his boss's daughter for money! And watch him do it all very, very poorly.

4. Troy
Jess: I hate Troy. This is not the first time I've said it and it will not be the last, but he's the most wooden, self-involved, consistently douche-baggy protagonist I've ever seen in a kids' franchise. From the moment he gets Gabi detention in her first period of her first day at East High without once thinking "Hmm, maybe I shouldn't call her in class," to the crowning height of douche-baggery when he decides to fix all his mistakes by dropping out of Sharpay's show and thus screwing her over but not reporting in to work or attempting to get the regular show back on, thereby making nobody but himself happy, he proves himself incapable of thinking about anyone else for even a second.
Becky: The franchise really lucked out in casting Zac Efron -- Jess doesn't like him, and he can certainly come across as a douche, but he also can be quite charming and adorable. He manages to bring some of that charm to Troy, especially in the first movie; and he and Vanessa actually are attracted to each other, so that comes across, too. Without those two lucky strokes, the movies would be unwatchable, because Troy? Well, Troy is a complete and total douchebag.

3. Camp Rock happened
Becky: Camp Rock was created in the hopes it would be the next HSM. So, if there was no HSM, there would be no Camp Rock, and I would have two hours of my life and god only knows how many brain cells back.
Jess: Not to mention we'd have to look at Demi Lovato and the Jonas Brothers a lot less. That would be a better, kinder world indeed.

2. The franchise's relentless marketing to kids as young as 3
Jess: Look. I get that Disney wants to merchandise their stuff, and hey, we had some joyous giggles over Becky's Ryan- and Chad-flavored (we can only assume) gum. But constantly shilling toothbrushes and toy microphones to preschoolers - that's not okay. Give them a few years before stamping all over their foreheads with brand logos, okay, Disney?
Becky: Here's a thought: how about we don't train a new generation of toddlers to be consumers who'll buy whatever has a designer label on it? How about we don't manufacture so much useless junk they don't need, which clogs up the world with pollution as it's made and fills up dumps when it breaks? It's not that we want to live in a world where you can't buy bubble gum with Chad and Ryan holograms on the package, it's that Disney has never heard of moderation, and ultimately that's bad for everyone.

1. HSM's status within and relationship with the musical genre
Becky: So I love HSM and all, but I'm not really a musical theater person. Uh, Jess is, though. And I have the sneaking suspicion that she's been holding back a very strong opinion all week, waiting for this moment.
Jess: *breathes*

There are a lot of things that anger me about the way the High School Musical films approach, well, being a musical. The weak (Tizz, Monique, Corbin) or nasal (Tizz, Vanessa) singers who don't know how to put across a song (Vanessa, Zef) in a way that conveys character and emotions. The third-rate pop songs that consistently fail to advance the plot or character development (show me one thing "Bet On It" adds to the movie, I dare you). The complete ignorance as to how actual musical theater is conducted.

Worse than that, though, is the mocking position HSM takes in relation to the genre. "God," it seems to say, "musicals are so stupid. Like, they're called things like 'Twinkle Town Musicale' and the people who love them are all mean, intermittently stupid, and shallow, or downright crazy, and why couldn't our heroes just sweep in and take the leads? I mean, it can't be that hard or require effort or dedication." The people who love the genre - Darbus, Ryan, and Sharpay - are villains or morons or both in the first movie and not much better in the second. (I would argue that Kelsi doesn't fit into this category because she doesn't love musical theater so much as she loves music.) Troy and Gabi display no skills beyond those required for karaoke. The show they are apparently auditioning for is incoherent and stupid. The auditioners are mocked mercilessly for...knowing ballet and opera? How dare they! And both films treat tap dancing, the musical theateriest of all dance forms, with utter disdain and ridicule, despite the fact that the director's mentor was Gene freaking Kelly.

If this were a highly forward-thinking or experimental series, I could see where they were coming from. I don't think being dismissive and insulting towards those who have gone before you is indicative of maturity or quality, but I guess if you're written the greatest musical ever made, you can afford to be a little haughty. Neither HSM is the greatest musical ever made. Neither would break the top 100. I am fond, obviously, but y'all, these movies are bad. The writing is bad, the acting is (for the most part) bad, the singing is uneven...all they've got going for them is costumes and dancing (minus Zef, of course). Even the staging sucks - the line of spasmodically jumping backs to the audience in "Everyday" makes me want to scream.

So where the hell does anyone involved in HSM, from the producers all the way down to Manley's personal assistant, get off insulting classic musical theater tradition?

But the thing that makes me angriest and saddest and most scared of all, is that crap like this is what kids today are being taught is musical theater. Look, I was born in the 80s, which was a pretty dry spell for the genre too, but I was raised on Gene Kelly and Shirley Temple and Rodgers and Hammerstein and I know the heights the genre can attain. The ravenous way young people from preschool up through high school are devouring HSM (and Camp Rock and Hannah Montana and every teenybopper who both acts and sings and anything else that even hints of musical theater - plus superior fare like Hairspray and Enchanted) shows that they are desperately hungry for musical theater, stories told with glorious, soul-soaring moments of song-and-dance. I don't want them thinking High School Musical is the best they can get. They deserve something more.

Becky: *applauds*

Here, universe: let Gene, Donald, and Debbie show you how it's really done.

WHO AUTHORIZED THIS? SOMEONE NEEDS A BITCHSLAPPING!

A few people may know: I am a big Beatles fan. Srsly. Like, during my spell of 13-hours workdays last week, I looked on the bright side and used it as an excuse to listen to the Beatles canon all the way through. I own numerous Beatles biographies. I've seen Backbeat. I've been the DJ for an all-Beatles radio show, for god's sake.

So no, I never approved of the Target commercials that use mediocre covers of "Hello Goodbye" misspelled as "GoodBuy." (Guess what that song's not about? HINT: BUYING CHEAP PLASTIC SHIT.) But -- sputtering with rage -- the combination of Target commercial + new cover of the song by the GODDAMN JONAS BROTHERS?

I thing steam is literally coming out my ears.*

It's not that the Beatles weren't commercial. They were; Paul McCartney once commented that he and John would sit down and say, "Hey, let's write us a new swimming pool." And it's not that I think the Beatles are too sacred for covering; lots of people do very, very good covers of Beatles songs.

It's the combination of the fucking smarm of a few untalented kids selling shit for a mega corporation. I swear to god, if I ever hear one of them pull the traditional tween star line, "It's like Beatlemania..." (which has always enraged me, every time a boyband says it, even the ones I like) I will throw up.

SO ANGRY.

(Okay. Sorry. Had to get that out of my system. Back to your irregularly scheduled updates about how cute Emily Osment is now.)

* Okay, not literally. But I did yell aloud and stomp around the apartment.